My 6 Favorite Haibun
Each of the haibun on my list have something in common despite their many stylistic differences; they are all journey’s of the heart, leaving one with what Jeffrey Harpeng describes as “the ghost in the haibun.”
So, here are my 6 favorite haibun —
Marjorie Buettner’s Forgotten Roads takes us with her, and reminds us, much like Mary Oliver’s Poem, Wild Geese, there is space for each of us, but it does so in an intensely rhythmic fashion.
Zolo’s Implacable Time And the Long, Slow Pull of the Irresitable Sun is a piece that almost imparts a nostalgia of sorts. It brings, to my mind at least, a bygone era and it’s people.
Billie Wilson’s Wordless Poems evokes a dream in which anything is possible. It is a haibun that connects with a deep sense of the power words, and especially haibun, to speak on the intuitive level.
Ray Rasmussen’s Fly Fishing evokes a zen-like quality in the description of an “everyday” hike. It brings with it a sensitivity to living that I admire.
Jeffrey Woodward’s Question’s For the Flowers is a scholarly piece evoking a sense of one’s place in the ages. It ponders an age old question we all face: Who am I to commit my words to paper?
Ellen Kombiyil’s The Night Sky’s Answer is a haibun that center’s us in place and time, but too, it places us in the greater context of the universe while broaching the topic of life after death.
How about an explanation about the writing form haibun? I’ve made this cute video and xtranormal.com that explains why everyone can write haibun!
URL TO WATCH VIDEO BELOW
Cindy Marie Bell
The Graphic Haibuneer
Life Begins With the Haibun